amasiko wokuzihlanza:
inguquko,
2020
embossing on pillowcase
51 x 56 cm
Translates to rituals
of cleansing: transition
The work consists of a sculptural bathing basin. The basin was molded with green bar soap, using water and the twirling of the bar soap with hands to soften it and shape it.
The work addresses notions of cultural
displacement and impurity – with a
specific focus on identity, feelings of apathy and guilt and rituals. Identity, particularly black
identity, in post-colonial South Africa is undergoing reconstruction due to the
country’s political history. Contact with other Western cultures influences the
reconstruction of identity, and in the artist’s case become part day-to-day
practices, rituals and communication. However, boding aspects of English or
Western principles can and has initiated feelings of guilt that suggest that
there is a loss of isiZulu heritage. As a result, the artist engages in
cleansing ritual to get rid of feelings of displacement.
The basin is symbolic of cleansing. The
green bar soap and cleansing makes reference to the practice of washing hands
after visiting a grave site in the isiZulu culture. This is important to the
series as notions of displacement and apathy have emphasised loss. The ritual
of cleansing with a green bar soap becomes associated by freedom and a sense of
renewal.